These
are minimal works- in which the accumulation of line or mark reaches
its culmination on the side of spareness. Selected from two
concurrent series -
reflecting two modes of working- these pieces
have as their common thread a metaphor of constructedness.
This is
the crucial principle of my work in recent years. My process is
driven by activities like building, dismantling, rebuilding,
selecting.
Initially this
construction metaphor informed my approach
to abstraction. I became attracted to the image "built" out
of units of line or patches of texture.
Ultimately this action
demanded its antithesis, and I began to subject imagesto
a stage of unbuilding. Spacial
drawings like Mutable Box
begin as symmetrical and firmly supported quasi-architectural forms-
then I begin to introduce flaws in the integrity of the
structure,
moments of slippage.
This
construction principle has come into play too in the tablels
- a recent engagement in
observational drawing.
The elements of these little still lifes are
arranged and rearranged until they seem to strike a tenuous balance
between intentional placement and disarray.
Some include sculptural
elements, put together seemingly casually, and, as casually,
dismantled.
I go through a lengthy process of handling and
manipulating these elements before executing the drawing. There's
an architectural approach in this process as well.
The drawing
itself is a procedure of re-touching every element of what feels to
me to be a very temporary, changeable arrangement.
Mutable
Box. 7" x 11"
x 5". Steel Wire. 2008.
Slipped Box. 9" x 13"
x 5". Steel Wire. 2008.
Folded Box. 11" x
11"
x 4". Steel Wire. 2008.
Caged Box. 6" x
11" x
6". Steel Wire. 2008.